Spaceless kingdom 

The exhibition is structured according to a tripartite system. The interconnected earthly, liminal, and celestial sections represent three levels of perceiving landscape. In the “earthly section,” the artist explores the materiality of the landscape, emphasizing the density of light and shadow and the gradations of illumination. The liminal part of the exhibition is devoted to the state of transition, the boundary between the earthly and the celestial. Here the boundary functions not as a dividing line but as a place of encounter, merging, and transformation. The “celestial section” presents the gradual dissolution of form. Here the artist loses a stable observer’s position and literally immerses herself inside the cloud, examining its texture, light reflections, and vibrations.

As an artistic exploration of the surrounding reality, the project is an attempt to reveal a system of inner natural organization. Drawing on the Impressionist method, Regina records observations of the earthly and celestial landscape at different times of day, approaching landscape as an analytical instrument.

The logic of the exhibition emphasizes the idea of continuous movement. Each canvas is born from the previous one, forming a series of interrelated spaces that flow into one another. A shifting focal point becomes one of the key strategies, inviting the viewer’s gaze to move from one spatial plane to another. Thus, the view from a window transitions into a mass of sky, the horizon line gently dissolves into grassy terrain, and then returns again to celestial structures. The painterly compositions become spaces where the category of time acquires plasticity, while things gain ontological independence. Monochrome landscapes, freed from attachment to specific locations, acquire a status beyond physical space.

The multilayered structure of the exhibition reveals landscape as a field of philosophical reflection. Focusing on the subtle and elusive subjectivity of the landscape, the artist draws the viewer’s attention inward, inviting them to merge with the all-encompassing landscape that surrounds the space.